Advertising photography is what we do. We've been doing it sucessfully for over a decade.

We have a thorough understanding of how to give you exactly what your client needs.

My photos capture more, and do it more easily, than what conventional methods allow. Flexibility is built-in to my technique, so I can adapt to changing needs or parameters even during the shoot itself.

As a team, we work smoothly to cover every detail. My partner is my assistant and stylist, and we are experienced in handling props, models and all other facets of a shoot scene.

Custom quotes, quick turnaround and unlimited licensing terms are additional reasons our relationships with agencies have always been fruitful.

I am a Photoshop and digital imaging expert, and provide final digital files completely optimized for their intended use, be it for outdoor, publications, or electronic or video use.

About the Photography

 Field of View: Wide-angle photos can look unrealistic. The wider the view, the more the sides of the image become stretched. My wide-angle photos overcome this limitation, so each photo can show more of the subject. Building facades are a specialty.

 Dynamic Range: Highlights and shadows are not fully captured by film or digital cameras, often turning solid white or black in the final photo. This is especially true for windows and light fixtures. I shoot many scenes under ambient light, and reproduce what the human eye sees. This creates photos that look more natural and three-dimensional.

 Pixel Count: I can capture almost any resolution – up to a billion pixels. My standard images are over 50 megapixels. In fact, my images can out-resolve an 8"x10" view camera.

 Clarity: My photos have superior clarity, pixel-for-pixel, than conventional digital or film photographs, regardless of resolution. No grain, no flare nor glare. The lens is no longer a limiting factor.

 Geometry: My all-digital process actually eliminates lens distortion and parallax. Straight lines remain absolutely straight. Even the best view camera and lens falls short of the geometric perfection we can achieve.